In The Year 2000...

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In The Year 2000...

What the Paleo-Future blog would look like if I drank more

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  • oldhollywood:

Twilight Zone crew looks on as Rod Serling performs his on-camera narration for the episode Static (1961)
“The Twilight Zone was shaped by Rod Serling. His instincts led him to a pattern he & I agreed upon as the bottom-line basis for buying stories for adaptation and for his own originals:
Find an interesting character, or a group, at a moment in crisis in  life, and get there quickly; then lay on some magic. That magic must be  devilishly appropriate and capable of providing a whiplash kickback a t  the tag. The character(s) must be ordinary and average and modern, and  the problem facing him (her, them) must be commonplace.
The Twilight  Zone always struck people as identifiable as to whom it was about, and  the story hang-ups as resonant as their own fears, dreams, and wishes.  Allow only one miracle or special talent or imaginative circumstance per  episode. More than one and the audience grows impatient with your calls  on their credibility. The story must be impossible in the real world. A  request at some point to suspend disbelief is a trademark of the  series. Mere scare tactics will not fill the bill. A clever bit of  advanced scientific hardware is not enough to support a story. The  Twilight Zone was not a sci-fi show.”
-Twilight Zone producer Buck Houghton (via Dimensions Behind the Twilight Zone)

    oldhollywood:

    Twilight Zone crew looks on as Rod Serling performs his on-camera narration for the episode Static (1961)

    “The Twilight Zone was shaped by Rod Serling. His instincts led him to a pattern he & I agreed upon as the bottom-line basis for buying stories for adaptation and for his own originals:

    Find an interesting character, or a group, at a moment in crisis in life, and get there quickly; then lay on some magic. That magic must be devilishly appropriate and capable of providing a whiplash kickback a t the tag. The character(s) must be ordinary and average and modern, and the problem facing him (her, them) must be commonplace.

    The Twilight Zone always struck people as identifiable as to whom it was about, and the story hang-ups as resonant as their own fears, dreams, and wishes. Allow only one miracle or special talent or imaginative circumstance per episode. More than one and the audience grows impatient with your calls on their credibility. The story must be impossible in the real world. A request at some point to suspend disbelief is a trademark of the series. Mere scare tactics will not fill the bill. A clever bit of advanced scientific hardware is not enough to support a story. The Twilight Zone was not a sci-fi show.”

    -Twilight Zone producer Buck Houghton (via Dimensions Behind the Twilight Zone)

    Posted on December 9, 2010 via Old Hollywood with 469 notes

    Source: oldhollywood

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